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Vol 21 No 9 Sept/Oct 2016

Book of the Month

Cover of Goode on Commercial Law

Goode on Commercial Law

Edited by: Ewan McKendrick
Price: £170.00

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Criminality and Narrative in Eighteenth-Century England

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Hal GladfelderAssistant Professor of English, University of Rochester, USA

ISBN13: 9780801866081
ISBN: 0801866081
Published: May 2003
Publisher: Johns Hopkins University Press
Format: Hardback
Price: £39.50

Stories of transgression - Gilgamesh, Prometheus, Oedipus, Eve - may be integral to every culture's narrative imaginings of its own origins, but such stories assumed different meanings with the burgeoning interest in modern histories of crime and punishment in the later decades of the 17th century. In this volume, Hal Gladfelder shows how genres such as the trial report, providence book, criminal biography and gallows speech came into new commercial prominence and brought into focus what was most disturbing, and most exciting, about contemporary experience. These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to sort through fragmentary or contested evidence, anticipating the openness to discordant meanings and discrepant points of view which characterizes the later fictions of Defoe and Fielding.;Beginning with the various genres of crime narrative, Gladfelder maps a complex network of discourses that collectively embodied the range of responses to the transgressive at the turn of the 18th century. In the book's second and third parts, he demonstrates how the discourses of criminality became enmeshed with emerging novelistic conceptions of character and narrative form. With special attention to ""Colonel Jack"", ""Moll Flanders"", and ""Roxana"", Gladfelder argues that Defoe's narratives concentrate on the forces that shape identity, especially under conditions of outlawry, social dislocation and urban poverty. He next considers Fielding's double career as author and magistrate, analyzing the interaction between his fiction and such texts as the aggressively polemical ""Enquiry into the Causes of the Late Increase in Robbers"" and his eyewitness accounts of the sensational Canning and Penlez cases. Finally, Gladfelder turns to Godwin's ""Caleb Williams"", Wollstonecraft's ""Maria"", and Inchbald's ""Nature and Art"" to reveal the degree to which criminal narrative, by the end of the 18th century, had become a necessary vehicle for articulating fundamental cultural anxieties and longings.

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