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Vol 21 No 9 Sept/Oct 2016

Book of the Month

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Goode on Commercial Law

Edited by: Ewan McKendrick
Price: £170.00

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Copyright and Piracy: An Interdisciplinary Critique

Edited by: Lionel Bently, Jennifer Davis, Jane C. Ginsburg

ISBN13: 9780521193436
Published: October 2010
Publisher: Cambridge University Press
Country of Publication: UK
Format: Hardback
Price: £89.99

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An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists.

Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields?

With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?

  • Interdisciplinary discussion of copyright and piracy examines the unauthorised exploitation of works of authorship from multiple perspectives
  • Each chapter matches a lawyer with a contributor from another discipline, introducing readers to different disciplinary approaches, and exposing non-lawyers to legal analysis
  • Extensive cross-disciplinary bibliography provides a basis for future research

Intellectual Property Law
Part I. Introduction
1. Inspiration or infringement: the plagiarist in court Isabella Alexander
Part II. History
2. Nineteenth-century Anglo-US copyright relations: the language of piracy versus the moral high ground Catherine Seville
3. Language, practice and history Adrian Johns
Part III. Comparative Law
4. The metamorphosis of contrefaçon in French copyright law David Lefranc (translated by Sebastien Oddos)
5. A common lawyer's perspective on contrefaçon Jane Ginsburg
Part IV. Economics
6. Copyright infringement, 'free-riding' and the lifeworld Anne Barron
7. Copyright and the limits of law-and-economics analysis Jonathan Aldred
Part V. Linguistics
8. 'Substantial similarity of expression' in copyright infringement actions: a linguistic perspective Alan Durant
9. Refining notions of idea and expression through linguistic analysis Graeme B. Dinwoodie
Part VI. Computer Software
10. Copyright, piracy and software Jon Crowcroft
11. Of plots, puddings and draught-excluders: the law as it applies to the infringement of computer programs Jennifer Davis
Part VII. Information Studies
12. Measuring text re-use in the news industry Paul Clough
13. Reflections on measuring text re-use from a copyright law perspective Tanya Aplin
Part VIII. Literature
14. Unoriginal genius: plagiarism and the construction of 'romantic' authorship Nick Groom
15. The genius and the labourer: authorship in eighteenth- and nineteenth-century copyright law Isabella Alexander
Part IX. Art
16. Piracy and authorship in contemporary art and the artistic commonwealth Daniel Mcclean
17. Copyright's imperfect republic and the artistic commonwealth Jonathan Griffiths
Part X. Sociology and Music
18. Reggae open source: how the absence of copyright enabled the emergence of popular music in Jamaica Jason Toynbee
19. 'Free-riding on the riddim'? - Open source copyright law and reggae music in Jamaica Johnson Okpaluba.